Convention Activity – Friday 29th April 2024 Eastercon 2024 Levitation
Eastercon began in earnest on the Friday and after breakfast in the International Hotel I walked round to the neighbouring International Centre just ahead of convention registration commencing.
Suitably badged up and with a summary list of programme events, I was all set to go. Gradually over the day many old friends arrived and the con always feels like a happy school reunion when you have been going before, as I have. My first was Intervention in 1997. That was Eastercon 48. Now here I was at Eastercon 75.
Incorporating Myths From Different Cultures
Allen Stroud (Moderator) , Wole Talabi, Rhionnach (Jean Thompson), and Maria Sjostrand.
A look at World mythology and its treatment in fantasy literature. Defining mythology is not so easy. Dead religion? Unreal or just unverified and unverifiable?
Some unexpected works were referenced, including Lion King which has its roots in African myths. There are also works like the role playing vampire realms created by White Wolf for their Vampire Masquerade role playing games colliding vampires from many Western and Chinese traditions.
There are ethical issues in use of myths from different cultures. The central premise of Discworld, of the flat World balanced on elephants who stand on the back of a giant turtle is rooted in Hinduism. An episode of Xena: Warrier Princess, (The Way) moved from Xena dealing with the Greek pantheon to her meeting with Kryshna in India, which upset active current day followers of the Hare Kryshna cult (The International Society Of Kryshna Consciousness). Their protests got the episode temporarily banned. Myths are still part of a culture and history for many people even when not directly believed in.
Legends were defined as myths involving heroes though without supernatural or divine forces coming into play.
An impressive amount of ground covered here.
What Does Good Look Like?
Mike Brooks (Moderator), Helen Gould, Nick Hubble, Niall Harrison (Moderator) and Cecile Cristofari.
How do we define what is a good book, or film? Is it truly subjective? Blurbs compare books to established works and authors, there are critical recommendations, hype, must see, must read promotions, someone who loves a book offers us a copy with recommendations that we will adore it too. Books are labelled classics. Is it heretical to dislike them?
Is a book good for merely being enjoyable or does it have to change our lives, educate us or make us think?
A recommendation was The Tournament Of Books podcasts which pitch books against one another in a slam down contest.
I asked whether a work regarded as good ceases to be held in regard if controversial and even offensive aspects of the author’s life and beliefs come to light, as with the changing views on Marion Zimmer Bradley due to certain abuse accusations and the backlash to J K Rowling over her attacks on the trans community. The response was a sensible one of continuing to hold the works already appreciated in regard while recognizing the creators more negatively. Mike Brooks wisely flipped this to point out that as his work often draws on gender themes and Gay/trans characters his work can face utterly unfair criticism from the anti-woke brigade.
The Past Isn’t Straight (And Neither Is The Future)
Sandra Bond (Moderator) Elsa Sjunneson (via virtual connection), Mike Brooks, Wendy Metcalfe, Heather Valentine.
Creating gay, diverse characters is a daunting task for authors. Some early inspirations for the panellists include Orson Scott Card, Marion Zimmer Bradley, (who have gay characters who can become predatory and sinister). More acclaim went to Anne McCaffrey, and George R R Martin. Aliette De Bodard was also highly recommended.
An Evening With Donna Scott – Donna is a very funny and highly talented stand-up comic, so it was a lovely finish to the opening night to see her act and I knew I was due to appear alongside her on a comedy themed panel later in the weekend too.
Photos taken by me.
Arthur Chappell