A powerful, often deeply moving, and honest monologue, a coming of age voyage of discovery, a coming of age drama, a celebration of a woman’s freedom, independence and spirit, often funny, sometimes harrowing.
Ayse has poetry collections and songs and her stage show draws elements from those into a detailed step by step progression, taking in death, bereavement, peer group pressure, recreational drug use, encounters with men, pride in her Turkish roots and finding her own feet in the World.
There was some back projection early on the show, capturing urban Turkish townscapes though mostly this was Ayse holding the mic and audience attention as she talked through he extraordinary, and yet also somehow every day relatable adventure in becoming who she is now.
Beginning with her Father’s death, Ayse found herself living with her Mum and grandmother, who she describes as being there to ‘protect the chicks’ (Ayse and her sisters). Ayse stated that no one dares question, challenge or answer back to a Turkish mother, but simply obeys their instructions and orders. Ayse’s mother had plans for Ayse to grow up into a general management business role.
Ayse’s mimicking of the voices of her matriarchal mum, and gran are early highlights of the show, reflecting not just Ayse becoming detached and rebelling but also a genuine affection and affection for these remarkable characters.
Young men and boys face similar control from heir families. Ayse describes the absurdity of male circumcision, often performed on older boys in Turkey rather than the better known in much of Europe version performed on Jewish infants. Turkish boys are old enough to see, and remember the pain of their circumcisions. They later have a coming of age party, around the age of thirteen where they are carried round on the shoulders by proud fathers, uncles and other men at events enjoyable to all but the terrified child himself.
As Ayse grows, she discovers alcohol, recreational drugs and encounters men who often try to control and manipulate her. She eventually finds herself stoned, with a man who drives her up a high mountainside in the dark, before she breaks away insisting on walking off alone, fortifying herself by singing the Turkish National Anthem over and over through the three hour trek to a safe haven.
Ultimately, finding her own voice and identity, Ayse feels as if she has fulfilled her mother’s dream vision for her future. She has a much more complete general management of her own destiny.
In many ways the presentation echoed the transition described. Ayse started by speaking to back projected film of an urban Turkish community, but the tech was not working at its best and Ayse called for it to be powered down, which drew much more focus where it mattered, to her brave, funny, perceptive voice.
A terrific insight into a country, culture, and most importantly, a powerful individual voice of creative, and political expression.
Ayse has written poetry and set some of her experiences to songs too.
Thanks to Ayse Balkos, Garry Cook, Enjoy The Show, The Ferret (venue for the show).
Link – Ayse Balkos Youtube page https://www.youtube.com/@Aysebalkos/videos
Poetry Collection – Ayse Balkos Come To Tower 2024 – Self published. https://www.goodreads.com/book/show/197722676-come-to-tower
Photos taken by me.
Arthur Chappell